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The Rules
Entries must have been produced within the past two years.
Label discs and tapes with your name and telephone number.
Submissions in other than English must be subtitled or include an English transcript.
Multiple entries are allowed and may be entered in multiple categories.
The entry fee is $50 per entry per category.
A brief clip of winning entries may be streamed on the Accolade website.
Written comments describing entries are invited.
Entries will not be returned.
Judging
There are three levels of awards: Best of Show, Award of Excellence and Honorable
Mention.
Each entry is judged against either an overall scale of artistic and technical excellence
or against specific creative aspects depending on the category.
Like most award competitions the first level of judging is conducted in-house. Staff
is selective and many categories do not have winners. All the entries recommended
for Honorable Mention and Award of Excellence are carefully screened by the Competition
Chairperson.
The Chairperson decides which entries will be sent to outside judges to compete
for Best of Show honors. The Chairperson’s role is to assure consistency across
judging and maintain high standards.
No more than 15% of entries will be granted Awards of Excellence. Very few Best
of Show honors are granted and only if worthy productions are discovered. Notable
artistic and technical productions are recognized at the Honorable Mention award
level.
The Accolade
Winners are eligible to receive an Accolade statuette. The Accolade statuette is
a constellation of 24K gold-plated stars mounted on a piano finished base of rosewood.
It has been called the most beautiful award in the industry.
The Accolade is manufactured by the company that makes the worlds most prestigious
and celebrated awards, the Oscar, Emmy, Clio and MTV Video Music Awards.
The Accolade is truly a work of art.
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Meet some of the Accolade Judges |
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About Judge Patrick Roddy
Patrick Roddy’s latest feature, Mercy, is now on the festival
circuit. Mercy is a 2006 Accolade Award of Excellence winner.
Patrick began his filmmaking career working on Robert Redford’s A River Runs Through
It. Since then he has written, produced, and edited his first feature “Parasite”,
line-produced the Japanese film, Junkfood Generation; co-produced the Indie
horror-western The Legend of the Phantom Rider; produced festival winner
Angry Young Man, the sequel to filmmaker Robert Loomis’s Dog Years
and associate produced the Independent Spirit Award nominated Robbing Peter.
In 1998 Patrick started his own foreign sales and production company, Archimage
Studio in Los Angeles. Under the Archimage Studio banner, he brokered foreign sales
for his own film Parasite and helped other independent filmmakers find
distribution as well. Archimage Studio also produced the music video for Tabito’s
Song that was broadcast in Japan, and co produced the feature film Angry Young
Man.
He has also worked for independent mogul Roger Corman’s distribution company, Concorde-New
Horizons, and with the producer Debra Hill on a development project titled Meet
John Doe, which Mr. Patrick sold as a pitch to Warner Brothers Studio.
From 1999 to 2003 he worked for IFP/Los Angeles, now named Film Independent, a nonprofit
member based organization that supports independent filmmaking and filmmakers, as
Filmmaker Advisor, using his production and distribution experience to provide practical
advice and information to IFP/LA members.
Patrick received his M.F.A. in Film and Television Producing from the University
of California at Los Angeles (2000) and his B.A. in Media and Theatre Arts from
Montana State University (1992).
Patrick has taught video production at McNeese State University and currently teaches
producing at the University of Arizona.
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Interview
with one of the Accolade Judges:
Mitchel J. Matovich
By Yayoi Lena Winfrey
Although he was once a research and development aerospace engineer, Mitchel
J. Matovich, Jr. made the switch to film writer, director and producer with relative
ease. The CEO of Matovich Productions and Movietown Pictures, Matovich is a seventh-generation
Californian whose former employers include Lockheed, FMC Corporation, Morton Company,
Concept Development Company, and the Stanford Research Institute.
Besides founding the Santa Clarita Valley International Film Festival, Matovich
is also a member of the Directors Guild of America, the Producers Guild of America,
the Society of Motion Picture and Television Engineers, ASCAP, and the Academy of
Television Arts and Sciences.
Happily, for Accolade readers, Matovich agreed to answer questions of particular
significance to filmmakers.
Q: What’s the difference between being an inventor and a filmmaker?
A: “Running large R&D contracts in the aerospace business is quite similar to
producing a motion picture. You have to develop the cost, put together a budget,
and you have a series of events that have to occur on a specific schedule. The only
difference in R&D or in aerospace is that a lot of things have never been done
before. It’s less difficult to maintain the budget and cost of a motion picture
because almost everything you do has already been done.”
READ MORE >>
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